Lit Lamp

What with being fired after two days on a job and finishing up the oneonenine illustrations and getting my wisdom teeth removed and trying to figure out how to make all of this work together, there hasn't been as much activity here as the first week suggested there would be. I hope I hope I hope can change that.
Here, for now are some images from the oneonenine work we did. I don't know when it will be out exactly, but I will be sure to mention something about it.

Halloween

やっとoneonenineの作品も出来上がり、ほっと一息。できあがるのが楽しみです。
今回は６ページでちょっと変わった絵本みたいな感じにしてみました。

見れる人はぜひ見てみて下さいね。こっちでも、届いたらお知らせします。


10/31はHalooweenでした。
数週間前から、「お菓子をもらいに来てもいいよ」という意思表示でもあるお家のデコレーションが増え始めたのは知ってたんですが、忙しさもあってなんとなくその波に乗り切れなかった私…

でも当日になり、仮装をした子供が家に来て「トリックオアトリート！」って言ってるのを見ると、やっぱり楽しい気分に！
今年は１０人の子供達が遊びに来てくれました。
この辺は町の中心ではないのでそんなに人が来ないのですが、来る所は200人以上の子供達がお菓子をもらいにくるそうです。

ジャックオーランタンもこっちにきて初めて作ってみました。








そして、先日車で近場のキーン（KEENE）という町にカボチャ祭りを見に行ってきました。
ここはつい昨年まで、町の人が作ったジャックオーランタンの個数の世界記録を持ってましたが（28000個！）今年は残念ながら、同じ州のボストンに負けてしまったそうです…（30000個以上）町の規模が違うので、しかたないですねえ〜。

混ざりあう

oneonenineに向けて描く日々です。

jasonと即興で描き始めたのは、overtureが生まれた2004年の夏から。
それから今までずっとこのやり方でやってて、たくさんの作品が出でき、スタイルも変化してきました。

「よくネタ切れしないね」と言われるのですが…
前の絵を描いてから次の絵を描くまでには、見える風景も季節も献立も変わるし、今の所困っておりません。

ただ、何度も形を変えて出てくるシンボルはあります。
これだけ描いてると、お互いにそれに気づく事もあります。

「あーこれは去年描いたあの絵の発展系か…」とか「やっぱり出た、毛むくじゃら」とか…
だんだん何種類かのイメージの元みたいなものが出てきます。

それは一体お互いのどこから出てきたのか？
あるときはいつか見た映画かもしれないし、子供の頃から変わらないイメージもあるし、それがまた改良（？）されて登場します。

時々どーにも出ない！何にも出ない！って言う事もあります。
筋トレだと思って続けるしかないようです…。

ではまた

The Black Emperor

A slightly younger me:
Not completely inebriated as was a high probability at this hour on most nights, I walked the deserted streets alone. A promising evening cut short, roommate and friends fleeing to the cozy dens of lovers, and me, as usual, with not enough money for a train home, I headed away from the bay in the general direction of North. It was the middle of February and the world hung suspended in the frozen static of a winter night.
Walking was my main means of transportation and most areas towards the center of the city and the area where I lived were more than familiar to me but I had never walked home from the bay. I was not lost though, the blinking red lights atop great buildings towering off in the distance acted as my guiding stars. I could keep them just in front of me and to the left and know I was heading North, or if I was completely confused I could head towards them and then find my way home from there. I did not live far from my guiding stars.
So I could not get completely lost, but I could get stuck. Not knowing an area there was always the possibility of getting caught in a network of alleys that have no way out and being forced to backtrack.
Coming out of the bay area and into some hilly terrain I realized that the area would require some backtracking. As has been the case centuries, the hilly, elevated region of the city was populated by the powerful and wealthy and as if to physically maintain this status they protected themselves with high walls, long winding driveways and security cameras. This was also an area spotted with embassies so occassionally I would turn a corner to discover figures dressed in long dark coats and carrying staffs. Quickly would I turn the other way. I did not want any security guards thinking I was intending to enter an embassy in the middle of the night. I did not want any trouble at all. I simply wanted to cross through these hills and find my way home.
I climbed a steep hill in a narrow pass between two steep walls topped with iron spikes and reached the top of what I beleived to be the tallest hill in the area that night. Before me the hill dropped away behind some buildings and brought the great buildings beyond it to eye level. Off in the distance my guiding stars twinkled above all the surrounding structures. I knew I must be at the edge of the hill area and would soon be entering into familiar territory. And then I would be home.
And then I could sleep.
I noticed then, while staring off into the distance, a presence and saw security guards standing up and down the street I had entered onto. I hurried straight across this street and down the one before me. It descended sharply and surely, I thought, this will take me out of the area.
Halfway down I came to a point where the road split awkwardly in two. To the left I could see where it emptied into a heavily trafficked street but there was some kind of tollbooth with security guards both inside and outside it. To the right the road descended into a partially submerged parking garage beneath what looked like a high class apartment or a government building. The guards at the toll booth were looking up at me now and I knew I would either have to confront them or figure out a different route. To my right there was a small street that after a ways turned to the left and out of sight. I did not know where it would lead but I took it. I did not want interaction this evening.
I headed down the small street, turned its one corner and came to a deadend. It seemed there would be no way out for me. Large houses stood on all sides of this cul-de-sac with high walls protecting them from me. I was at a loss. I would have to head down the hill and try to talk my way past the guards. Perhaps they would say nothing to me and I would be able to just go by, I thought. But they had seen me. I had crossed the line of confused passer-by. I was now suspicious and they would surely want to know what I was doing.
Standing alone in the cul-de-sac I noticed that one of the walls had an opening where it met the dividing wall of another house. Looking down it there was a path of large flat rocks set in a well kept lawn that lead straight against the house and out to a point where the hill dropped steeply. There were some trees on the side of the hill, as if a forest had impossibly escaped the desctructive grip of the city, and beyond this was the open city! Bright lights and cars and shops open at all hours and people walking along the sidewalks! All I had to do was cross the path, descend the hill, pass the forest and I would be back.
It sounded like a fairtale in its simplicity and nature.
I tiptoed across the stones, silenty passing against the house and taking care not to touch the grass or make a sound. I reached the hill and peered down it. To my right I noticed a tall shadow that was not a tree. It was the silouhette of the tollbooth I had seen earlier.
My heart stopped.
The tollbooth light switched on.
And there inside stood a figure in a long, dark coat and carrying a staff: a security guard.
"I-" I stammered in my broken tongue, "I'm sorry."
The guard stared at me and took a step out of his box. I could not see the expression on his face. He said nothing.
"I don't know where my house is."
"Are you staying in a hotel?" The guard sounded more confused than I did, but probably not because he didn't know the language.
I didn't want to make things complicated, "Yes."
With one finger he traced the shape of a flat, backwards 'L' before me, "Go back to here and then take a left."
"Yes. Thank you so much! I'm so sorry!"
I backed quickly out into the street and watched at the guard returned to his tollbooth and turned out the light.
I had escaped one potentially catastrpohic confrontation and was releaved. But now I was faced with the guards at the bottom of the hill again. I did not think that they might be just as helpful as the guard in the forest. I simply saw another potential danger. And as I thought on it I realized I could not return up the hill either as the guards up there had seen me pass through as well and would be suspicious of my coming and going.
In a moment of senseless confusion I turned down the hill, took the road to the right and walked directly into the parking garage.
In my attempt to avoid interaction and appear as normal and unassuming stroller at two o'clock in the morning I had managed to turn myself into a fleeing trespasser. Surely the guards had seen me again heading down the street and this time heading into the garage. I could not return to the street now. I had to find a way out from the garage.
The building was raised up from the ground on an elevated concrete foundation, affording a space large enough for motorvehicles to be parked beneath it. This space was only partially submerged however, and near the ceiling there were open holes in the concrete that were flush with the ground.
Pulling myself up through a concrete window facing down the hill I exited the parking garage and landed in a cemetary.
There was no light here. The cemetary covered the remainder of the hill and ended on the street the tollbooth road connected to. I simply had to find a way out of the cemetary and I would be on my way.
The street was not far away. Colorful and noisy it waited just beyond the iron fence of the cemetary. The cemetary, by contrast, was as cemetaries always are: dead. Clusters of large, sharply cut stones rose up at every turn, and ancient trees grew on the edges of the grounds, leaning over the property and swallowing any light. Even sound seemed to be muted here, absorbed by the dark.
I could not see my guiding stars.
Trying to follow a path the graves marked out I barked my shins and fell over lower stones. Whenever I thought I was descending towards the street the path would loop back up the hill. Looking at the gate I could not see an opening out of the cemetary. There seemed to be no way about it except to climb over the stones and over and then over the fence in order to get out.
And then I noticed the crows.
They were hard to miss. Although black as the shadows of the cemetary their eyes and wings shimmered purple when they moved. And through the muted, dense air their cries cut, to ring in my ears. They appeared suddenly and out of nowhere.
I could not tell how many there were but a number of them, at least five, would fly up to the trees and drop down at intervals on something in the middle of the cemetary.
I could not see what it was. I feared it was something dead. I carefully found my way along the winding paths to the center.
The space was slightly sunken and descending into it almost all light disappeared.
But through the darkness, there at the center I could make out a stone birdfeeder. Glaring its one dead eye up into the night the crows were falling to drink from its glassy vision.
I approached it and the crows took to the trees above, crying like babies.
Gripping the edges of the stone feeder with my cold, bare fingers, I peered into its inky depths.
And here at last I encountered the Black Emperor.

Albertus Seba

Today I finally picked up Taschen's Cabinet of Natural Curiosities, the massive, hardcover publication of 18th century Natural Historian, Albertus Seba's collection of colored plates illustrating an extensive representation of the natural world. I was fortunate enough to find it on sale at a local bookstore.
This will certainly be an excellent source of study and inspiration.

oneonenine

NY/ブルックリン発のデザインZINE「oneonenine issue 3」にいくつか作品を載せる事が決まったので、少し前から描いてます。

テーマは"there is no I in TEAM"…チームの中に”私”がない（すいませんつたない訳で）…
意味は分かるんですよ、意味は！…たぶん、どこが誰、と分からないくらい密接に絡んだ共同作業をする人達…みたいな意味だと思います。

overtureの活動はまさにそれだと言う事で今回の参加が決まりました★

限定250部、世に出るのは12月初旬です。
アメリカ国内だけでなく、パリのお洒落ショップcoletteにも置かれるそうなのでパリっ子の反応も楽しみです。
oneonenine

Winston

Moss decorated the edge of the stones. It was a deep, old green at its base where it spread out and clung to the pocked terrain of the rock face and a powerful, bright green at its surface where it accentuated tiny islands of vibrant color.
The moss was wild genius and Winston rubbed his head against it. He could not see its color, however, as it was the middle of the night. And while the sky was clear and the moon was out, everything reflected but varying shades of blue.
But he could feel the moss anyway, and it was spongy and pleasantly abrasive.

Wind whistled low over the stones.
Winston froze.
Before him was a tunnel and the ancient stones framed its entrance. The moss was a badge of seniority. A small window of moonlight hovered in the black mouth of the entrance reassuring an exit to any traveller venturing to pass. Sobered by the wind Winston looked up above the entrance at the enormous wall stretching as far as the eye could see to the left and right. He looked at the wooded ravine behind him, leading up to the entrance of the tunnel.

The wind whistled again and Winston disappeared into that black mouth towards the patch of blue moonlight beyond the towering wall.

Lost Cities and Current Events

Spent the better part of the day writing to different publishers and sending them samples of our work while taking breaks to work on the illustrations we are doing for the third issue of OneOneNine.
We are hoping we will like one of the illustrations enough to have proper posters printed for selling.
Also in possible merchandise-related news, we are trying to decide on an image for a small button we are looking to get made. To select an image that we like and want on a button is easy. What is difficult is choosing an image that is meaningful enough to be identified as Overture's but small enough to fit in the confines of a one inch diameter circle.


Unrelated, but far more fascinating, BBC had an article up a few days ago about a city found off the Western coast of India in the Bay of Cambay that is possibly 9000 years old.
Further research ensues.
I should probably mention that I just finished reading 20,000 Leagues Under the Sea, so anything having to do with the sea and mystery are pretty much going to set me off.


Captain Mystax is an illustration we did for a close friend and while not completely related it was closest link to aquatic adventure I had on hand.

New Location

This is Overture's new logbook!

The old log is here.

Our plan is to offer more frequent and varied entries...for anyone interested.

Here's to new adventures!

★今までのあらすじ★

一向に進まないHPリニューアルを尻目に、ブログの方をお引っ越ししてみることにしました。
アクセスの少ない間は、好きにやらせてもらいます。というか、見てる人っているのかなあ？
毎日アクセスはあるにはあるんですが…謎です。きっと謎のままがいいんでしょうね。

またこれからもよろしくおねがいします。

さて、誰に向けるでもなく今までの事を軽く振り返ってみたいと思います。
新しくいらした方はぜひこちら（旧）もどうぞ★

★USEPAPER（2006.4）

ドイツ発、１号１アーティストの小冊子で、no.2はOverture特集でした。
イラストを十数点書き下ろして好きにやらせてもらいました。
一人でやってる編集長のAlex、ありがとう☆

★exibition SWEAT LODGE @Mail Art gallery（2006.5/6〜14）

私（aya）の故郷、大分での初展示で「SESAME」の上映やオープニングパーティー、
「夫婦インレジデンス」など盛りだくさんでした。
ここでいろんな出会いがあり、通った日々は楽しかったです。
また大分で展示をしたいです。



★アメリカ移住（2006.6）

そして私のビザも無事おり、今度はjasonの故郷アメリカ・マサチューセッツ州へ移住する事となります。
長く住んだ日本にひとまずの別れを告げ、新しい生活の始まりです。



★Fatcat-t（2006.8）

イギリス・ブライトンのレコードレーベルFatcat recordsのオリジナルTシャツをデザイン。
トントン拍子に話が進んで、気がついたら出来上がったTシャツのサンプルを手にしてました。
イギリスのどこかで、このTシャツを着てくれてる人が居ると思うと嬉しいです。

★BEAMS-T（2006.9）

日本のBEAMS-TよりovertureデザインのTシャツが発売されました。
こちらは日本にあるBEAMS-Tショップの店頭で見て頂けるようです。

★group exibition at TinderBox（2006.10）

お隣のバーモント州、ブラットルボロでの一日グループ展に参加しました。
会場ではMOOで作ったnamecardが大活躍でした。



…約7ヶ月間にいろんな事がありました。まだ2006年が終わってない事に驚きです。
またなにかあったらお知らせしますね。

About us

(日本語は下にあります)
Overture is a creative unit of Jason and Aya Brown exploring the unconscious through storytelling in animation, illustration and live performance. They have developed collaborative processes, improvisational in nature, that enable them to reach creative places neither could arrive at on their own. In this way they tell stories are for everyone, strange but familiar, reaching toward a common human core.

Full details HERE!

Opertura.org
Twitter
Facebook
Vimeo
Youtube
Portfolio (download PDF)

contact us!: overture (at) gmail.com
----------------------------------------------------------------------


2004年、東京でスタートした、
Jason Malcolm BrownとAya Yamasaki Brown（山崎綾）の二人組。
現在はアメリカ・マサチューセッツ州で活動中。

ショートフィルム、ミュージックビデオ、CM、雑誌、CD／レコードジャケット、Tシャツ、壁画、陶器作品、絵本などなど…。
2010年、映像と音楽・物語をミックスさせ、世界導入のためのマスク（仮面）メイキングを来場者にしてもらうパフォーマンス、Storytellers (ストーリーテラーズ)を、ニューヨークと日本各地で上演。
2012年、MAGI NIGH（マジナイ）：MagiUnionと共に、湯布院と東京でワークショップやライブイベントなどを開催。

詳しい年表はこちらへどうぞ。

Opertura.org
Twitter
Facebook
Vimeo
Youtube
Portfolio(PDFファイル,3M程度)
contact us!: overture (at) gmail.com

Overture History English

/////Animation

2012 Ludic Chase, personal animation with music by rec.tangle (United States/ UK)

2012 Mr. Sandman, music video for The Kleenrz (Hellfyre Club, United States)

2012 Halfway, music video for Rayons (Hipland Music, United States/ Japan)

2011 Mushroom Hunting, dublab 12 Anniversary promo (dublab, United States)

2010 Little Vs, Vimeo Festival & Awards promo (Vimeo, United States)

2010 Bless, music video for Kira Kira (United States/ Iceland)

2009 Bryum & Kapok, music video tryptich for Hauschka (FatCat Records, United States/Germany/UK)

2008 Animal Sounds, music video for television program, Yo Gabba Gabba! (Nickelodeon, United States)

2007 Rhubarbidoo, music video for Múm (FatCat Records, United States/Iceland/United Kingdom)

2006 Sesame, personal animation (Sweat Lodge/ Mail Art Gallery, Japan)

2005 Cosmic Talento, animated interstitials (Cartoon Network Japan, Japan)

2005 Uzugiriyama, personal animation (Weave/ Loopline Gallery, Japan)

Festival

Sapporo International Short Film Festival 2012 (Japan), 2012 Raindance Film Festival (UK), Fest Anca (Slovakia), Supertoon (Croatia),  The First Setagaya Video Festival (Cafe Study, Japan)

2011

Animated Dreams (Estonia), Salt Lake City Film Festival (United States), Melbourne International Animation Festival (Australia), International Trickfilm Festival Stuttgart (Germany), Citrus Cel Animation Festival (United States), XIII Mecal International Short Film Festival of Barcelona (Spain)

2010

Istanbul Animation Festival (Turkey), Vimeo Festival and Awards (United States), DOTMOV (SHIFT, Japan), Open Circuit, FatCat Records Festival (Belgium), Green Design Festival (Greece), Krakow International Film Festival (Poland), Psychedelic Midnight Mix (Pictoplasma, Germany), KLIK! Festival (Netherlands), FANTOCHE (Switzerland), SPORE Incident (Mexico) 

2009

Swatch Young Illustrators Award Nominee (Illustrative, Germany), Little Pencil Workshop (Institute of Contemporary Art London, U.K.), Imaginaria Film Festival (Italy), TWEAK (Ireland), 30th Durban International Film Festival (South Africa), NIPPON Connection, Indie Animation Festival, Laputa Animation Festival (Animation Soup, Japan/ South Korea), PICTOPIA (Pictoplasma, Germany) 

2008

DOTMOV (SHIFT, Japan), MirrorBall Festival (Edinburgh International Film Festival, Scotland), Floating World Animation Festival (Floating World Comics, United States), Animation Soup (Japan), KITCHEN MOTORS NIGHT (Kitchen Motors, Belgium)

/////Illustration

Music

2012 Kira Kira, Feathermagnetik (Morr Music, Germany, United States)

2012 Rayons, After the Noise is Gone (Hipland Music, Japan, United States)

2009 AZUL/Six Organs of Admittance (PSF Records, Japan)

2008 Kira Kira, Our Map to the Monster Olympics album design (Smekkleysa, Iceland)

2008 Amargosa, S/T (self released, United States)

2007 KiraKira, Minimonster EP (Smekkleysa, Iceland)

Magazine, Book, Print

2011 Perfect Wave Issue #1 (United States

2010 KASINO Annual (Finland)

2009, 2008, 2007 Kasino A4 Magazine Issue #6, 7, 8, 9, 10 (Finland)

2009, 2008, 2007 PlanB Magazine Issue #18-39 (United Kingdom)

2009 Shift Magazine Online Cover (Shift Magazine, Japan)

2008 German Institute for Japanese Studies Tokyo (DIJ, Japan/Germany)

2008 Playful Type: Ephemeral Fonts and Illustrative Type (Die Gestalten, Germany)

2008 Veli Magazine (Finland)

2007 oneonenine Issue #2 (United States)

2006 USE Paper, Issue #2 (Germany)

Apparel

2012 MAGI NIGH Tshirt (Magi Union, Japan)

2010 Oneiric Caravan Tshirt (flau, Japan)

2010 UNIQLO Playful Type (UNIQLO, Japan)

2009 KASINO A4 R.I.P. Tee (KASINO A4, Finland)

2007 Design TShirt Store Graniph (Graniph, Japan)

2007 Poketo (United States)

2006 FatCat Records (United Kingdom)

2006 BEAMS-T (BEAMS, Japan)

/////Exhibition・Event ・Performance

Event/ Performance

2012 Fruiting Bodies 1 & 2 (dublab.jp, Japan)

2012 Projecting Together (Movie Theater Liberté, Japan)

2012 MAGI NIGH Ritual Exchange (Super Deluxe, Japan)

2012 MAGI NIGH Wayfinding (Myonichikan, Japan)

2012 MAGI NIGH Lodge (Minami no Kaze Sansou, Japan)

2012 Labrat Matinee 10: The Light Bends (dublab, United States)

2011 Labrat Matinee 09 (dublab, United States)

2011 Peskeomskut Noisecapades Inaugural (United States)

2010 Storytellers (STONE/ Kichimu, Japan)

2010 Storytellers (Ivana Helsinki & Love Contemporary PopUp Store, United States)

2010 Oneiric Caravan (flau, Japan)

2010 Storytellers (Arthur Radio, United States)

Group Exhibition

2012 Pictoplasma Festival (Pictoplasma, Germany)

2011 Post Digital Monsters (Pictoplasma/ la Gaîté Lyrique, France)

2011 Let's Sweat! Summer Tshirt Show (Kichimu, Japan)

2010 Alfa Romeo Anniversary Exhibition (Illustrative/ Alfa Romeo, Italy)

2009 Yo Gabba Gabba! Exhibition (Pink Hobo Gallery, United States)

2009 Phobia Exhibition (MOYTOY, Lithuania)

2008 Greetings From _____, Postcard Exhibition (Sunshine Studio, Japan)

2008 Wine Label Exhibition (Chubby’s, Vin Santo, Japan)

2008 POKETO First Editions Print Show (Poketo, United States)

2007 Forever Home (Little Cakes Gallery, United States)

2007 Wurstminster Dog Show (Wurst Gallery, United States)

2006 Flywheel (United States)

2006 Art Space Tinderbox (United States)

2005 Weave (LoopLine Gallery, Japan)

Solo Exhibition

2010 MoonHare (Blue Ballen Gallery, VACANT, STONE, Japan)

2010 Elliot St. Cafe Exhibition (Elliot St. Cafe, United States)

2008 Caffeine Exhibition (Mocha Maya’s, United States)

2007 Matatabi Matsuri (Through the Music Gallery, United States)

2006 Sweat Lodge (Mail Art Gallery, Japan)

////Press・Publications

2012 The Character Compendium (Pictoplasma, Germany)

2011 映像作家１００人(100 Video Artists) 2011 (BNN, Japan)

2010 Public-Image.org Interview (Public-Image Ltd., Japan)

2010 QUOTATION (Japan)

2010 "The New Twenties" (IdN x Society6)

2010 FrizziFrizzi Interview (FrizziFrizzi, Italy)

2009 CG Magazine (China)

2009 Atmosphere (GAS AS INTERFACE, Japan)

2009 Playground (Spain)

2008 AFTERHOURS Issue 25 (AFTERHOURS, Japan)

2008 SHIFT Interview (SHIFT, Japan)

2007 Public/Image.tv (Public-Image Ltd., Japan)

Overtureの歩み

/////アニメーション作品

ショートフィルム・ミュージックビデオ

2012 Rec.tangle「Ludic Chase」（イギリス／アメリカ）

2012 Kleenrz 「Mr.Sandman」（Hellfyre Club／アメリカ）

2012 Rayons「Halfway」 （アメリカ／日本）

2010 KiraKira 「BLESS」(アメリカ/ アイスランド)

2009 Hauschka 「Bryum and Kapok３部作」(FatCat Records, アメリカ/ドイツ/イギリス)

2007 Múm 「Rhubarbidoo」 (FatCat Records, アメリカ/アイスランド/イギリス)

CM・ティーザー・PV

2011  Mushroom Hunting for dublab Film Flash（アメリカ）

2010 Vimeoフィルムフェスティバル＆アワードpromo (アメリカ)

TV

2008 Yo Gabba Gabba!「Animal Sounds」(Nickelodeon/アメリカ)　

2005「Cosmic Talento」(Cartoon Network Japan/日本)　

プライベートワーク

2006「SESAME」個展「SWEAT LODGE」にて上映 (Mail Art Gallery, 大分)

2005「渦霧山（うずぎりやま）」企画展「Weave」にて上映(loopline, 東京・千駄ヶ谷)

フィルムフェスティバル／上映

2012

札幌国際短編映画祭 （日本）, Supertoon （クロアチア）, FEST ANČA （スロバキア）, 第一回 世田谷映像祭（カフェSTUDY/松陰神社前, 日本）

2011

Animated Dreams （タリン,エストニア）, dublab DUBLAB 12-YEAR ANNIVERSARY HAPPENING（ロサンゼルス,アメリカ）, Salt Lake City Film Festival（ユタ州,アメリカ）, Melbourne International Animation Festival （オーストラリア）, シュトゥットガルト国際アニメーション映画祭 (ドイツ), Citrus Cel Animation Film Festival(フロリダ,アメリカ), MECAL Short Film Festival at Barcelona  2011(バルセロナ・スペイン), Labrat Matinee #9 （dublab, LA）

2010

イスタンブールアニメーションフェスティバル（トルコ）, Krakow film Festival (ポーランド), FatCat records／Open Circuit (ベルギー), DOTMOV 2010 (SHIFT,日本＆世界巡回), Vimeo フェスティバル＆アワード（NYC,アメリカ）, Green Design Festival (アテネ,ギリシャ), Oneiric Caravan （日本各地１１ヶ所上映＆音楽＆朗読＆展示ツアー w/sheeprint）, flau presents FOUNDLAND （VACANT,原宿）, KLIK! festival (アムステルダム,オランダ), ファントーシュ国際アニメーション映画祭（スイス）, Spore Incident (San Miguel de Allende,メキシコ), Pictoplasma Festival (Pictoplasma, ドイツ)

2009

Swatch Young Illustrators Award ノミネート・会期中上映 (Illustrative, ドイツ), Little Pencil ワークショップ (Institute of Contemporary Art London, イギリス), Imaginaria Film Festival (イタリア), TWEAK (アイルランド), 30th Durban International Film Festival (南アフリカ), NIPPON Connection, Indie Animation Festival, Laputa Animation Festival (Animation Soupよりセレクト, 日本/ 韓国／ドイツ), PICTOPIA (Pictoplasma, ドイツ), DOTMOV (SHIFT, 日本), MirrorBall Festival (エディンバラ国際映画祭, スコットランド), Floating World Animation Festival (Floating World Comics, アメリカ), Animation Soup (日本）, KITCHEN MOTORS NIGHT (Kitchen Motors, ベルギー)

2008

DOTMOV (SHIFT, 日本), Mirror Ball (エジンバラ国際映画祭, スコットランド), Floatong World Animation Festival(Froating World Comics/アメリカ), アニメーションスープ（日本）, Kitchen Motors Night(ベルギー)

/////イラストレーション

雑誌＆本＆プリント

Music/カバーワーク
2012 タイポグラフィ／KiraKira,Feathermagnetik（アフターアワーズ,morr music）

2012 Rayons, After The Noise is Gone (Pokhara Records, 日本)

2009 AZUL/Six Organs of Admittance (PSF Records, 日本)

2008 KiraKira, Our Map to the Monster Olympics (Smekkleysa,アイスランド＆ Afterhours,日本)
2008 Amargosa, S/T (自主制作, アメリカ)
2007 KiraKira, Minimonster EP (Smekkleysa, アイスランド)

Magazine, Book, Print

2011 Perfect Wave Magazine (NYC, アメリカ)

2010 Kasino creative annual #1 "HAIR" (フィンランド)

2009-2008-2007 Kasino A4 マガジン#6, 7, 8, 9, 10 (フィンランド)

2009-2008-2007 PlanB マガジン #18-39 (イギリス)

2009 オンラインマガジン Shift カバー＆インタヴュー (Shift, 日本)

2008 ドイツ日本研究所 (DIJ, 日本/ドイツ)
2008 Playful Type: Ephemeral Fonts and Illustrative Type (ゲシュタルテン, ドイツ)
2008 Veli Magazine (フィンランド)
2007 oneonenine #2 (アメリカ)
2006 USE Paper, Issue #2 (ドイツ)

アパレル

2010 MAGI NIGH T （Magi Union,日本）

2010 Oneiric Caravan T （flau, 日本）

2010 Kasino A4 R.I.P T (KASINO A4, フィンランド)

2010 UT PlayfulTypeシリーズ (ユニクロ,日本)

2007 Design TShirt Store Graniph (Graniph, 日本)
2007 Poketo (アメリカ)
2006 FatCat Records (イギリス)
2006 BEAMS-T (BEAMS, 日本)

/////展示・イベント

イベント・パフォーマンス

2012 Projecting Together（日田リベルテ／大分,日本）

2012 dublab.jp presents Fruiting Bodies （bonobo/神宮前,日本）

2012 MAGI NIGH Ritual Exchange（スーパーデラックス／六本木,日本）

2012 MAGI NIGHワークショップ：Wayfinding（自由学園明日館周辺／東池袋,日本）

2012 MAGI NIGH Lodge (南の風山荘／湯布院,日本)

2012 Labrat Matinee 10: the light bends (dublab,ロサンゼルス)

2011 Labrat Matinee 9 (dublab,ロサンゼルス)

2011 Peskeomskut Noisecapades Inaugural (アメリカ)

2010 Storytellers (STONE/Kichimu, 日本)

2010 Storytellers (IVANA Helsinki&Love Contemporary,ニューヨーク)

2010 Oneiric Caravan (flau, 日本）

2010 Storytellers (Arthur Radioアメリカ)

グループ展

2012 Pictoplasma Festival（Pictoplasma, ドイツ）

2011 Post Digital Monsters/Pictoplasma（La Gaîté Lyrique, フランス）

2011 汗っかき！夏のTシャツ受注会＠キチム

2010 Alfaromeo Art (Alfaromeo,イタリア)

2009 Yo Gabba Gabba! 展 (Pink Hobo ギャラリー, アメリカ)

2009 Phobia（恐怖症）展 (MOYTOY, リトアニア)

2008 Greetings From _____, Postcard 展 (サンシャインスタジオ, 日本)
2008 ワインラベル原画展 (Chubby’s, Vin Santo, 日本)
2008 POKETO First Editions Print Show (Poketo, アメリカ)
2007 Forever Home (Little Cakes ギャラリー, アメリカ)
2007 Wurstminster Dog Show (Wurst ギャラリー, アメリカ)
2006 Flywheel (アメリカ)
2006 Art Space Tinderbox (アメリカ)
2005 Weave (LoopLineギャラリー, 日本)

個展

2010 Moon Hare 日本ツアー (blue ballen,湯布院／VACANT,原宿／キチム,吉祥寺)

2010 Storytellers (IVANAhelsinki & Love Contemporary Popup Store, アメリカ)

2010 Elliot St.カフェ展 (Elliot St.カフェ, アメリカ)

2008 Caffeine 展 (Mocha Maya’s, アメリカ)
2007 またたびまつり (Through the Music ギャラリー, アメリカ)
2006 スウェットロッジ (Mail Art Gallery, 日本)

/////出版・雑誌掲載・紹介など

2012 Pictoplasma - The Character Compendium (Pictoplasma/ドイツ)

2011 映像作家１００人　２０１１（ビー・エヌ・エヌ新社,　日本）

2010 Public-image.org/インタヴュー掲載 (public-image/日本)

2010 「QUOTATION」(日本)

2010  ”The New Twenties”（IdN×Society6）

2010 オンラインマガジンFrizziFrizzi/インタヴュー掲載 (イタリア)

2009 CG magazine (中国)

2009「Atmosphere」(GAS AS INTERFACE/日本)
2009 Playground (スペイン)
2008 AFTERHOURS (日本) 25号　"Overtureという優美な序曲" 2008 オンラインマガジンSHIFT (日本)　

2007 public/image.tv (public-image/日本)